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whom he loved even more. Adam Lind had always had an inclination for trick photography and this time, before shooting himself in a Montecarlo hotel (on the night, sad to relate, of his wife's very real success in Piker's “Narcisse et Narcette”) , he geared and focussed his camera in a corner of the drawing room so as to record the event from different angles. These automatic pictures of his last moments and of a table's lion-paws did not come out to[o] well; but his widow

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却爱得更深的男孩。亚当·林德向来偏好特技摄影，这次在蒙特卡罗的一家旅馆开枪自杀之前（说起来令人伤感，那天晚上恰逢他妻子表演的派克的《那喀索斯与那喀塞特》大获成功），他在客厅的一个角落安置好照相机，调好焦距，以便从不同的角度来记录这一事件。他自动拍摄的人生的最后镜头以及餐桌狮爪脚的效果并不太好；可他的遗孀